In an era obsessed with remakes, reboots and sequels, it
comes as no surprise that 2015’s summer Blockbuster season has given us a fifth
sequel. And once again, movie-goers ask themselves- is no.
5 worth seeing? In this case, yes.
Writer/director Christopher McQuarrie’s Mission Impossible film opts for a simple,
tried and true plot line of many past action films. This is no slight towards McQuarrie’s
writing abilities, who earned an original screenplay Oscar for the sleek crime
thriller The Usual Suspects. Thankfully, he knows such twists and turns do not fit the
Mission Impossible mold. Audiences have flocked to the MI series for impressively
staged action sequences and the whacky virtuosity of Ethan Hunt (Tom
Cruise). Both are in full force here.
The finals moments of Mission Impossible: Ghost Protocol, have
Hunt and the IMF (Impossible Mission Force) barely saving San Francisco from
nuclear annihilation. In Rogue Nation, the director of the CIA (Alec Baldwin), opposed
to the Hunt’s unconventional tactics and admittedly lucky breaks, shuts down the
IMF and a search for Hunt begins, who is to be charged with treason. Out in the
cold, Hunt is in the midst of his own pursuit— tracking down a terror network
known as the Syndicate. Hunt has linked them to a series of global terrorist attacks.
After an early face to face encounter with its leader, the composed yet cunning
Solomon Lane (Sean Harris), Hunt will stop at nothing to find him and bring
down the Syndicate.
Rogue Nation marks the third collaboration between McQuarrie
and Cruise in recent years. Their first pairing came in 2012 for the rather
flat, more Bourne-esque thriller Jack Reacher. Last year’s under-watched sci-fi film Edge ofTomorrow earned the two greater praise. What worked in Edge of Tomorrow that was
absent in Jack Reacher, is Tom Cruises’ underutilized charm
and comedic timing. Ethan Hunt is not
Jason Bourne and at no point does he ever try and mimic James Bond. He gets into trouble and
occasionally relies on a little luck to get himself out of a jam. Hunt’s formidable charisma never
strays too far and this is why we like him.
Cruise is certainly not the only actor who deserves praise in Rogue Nation. Already mentioning Sean Harris’s brilliantly restrained evil; Simon Pegg, always a crowd pleaser, is as good as ever as Hunt’s genial, sarcastic wingman. Rogue Nation also wins many fans for the return of Ving Rhames as the calm and cool Luther Stickell who was noticeably absent from Ghost Protocol. New to the film is Rebecca Ferguson as Ilsa Faust who appears right at home as the double/triple/quadruple crossing “frenemy” of Hunt. The ensemble works like a charm. No character, big or small, steps out of their role to try and overtake the Ethan Hunt show. Early in the movie, as Faust helps Hunt out of an early predicament, he has to ask her, “this is the first time we’ve met, right?”
Like its predecessor, Rogue Nation opts
for a livelier, funnier tone, something pushed aside in the darker, more
intense MI 2 and 3. That isn't to say the movie does not have its share of edge
of your seat, final-seconds-before-it-goes-kaboom-type drama we crave in
Mission Impossible—motorcycle chases through the tiny streets of Casablanca, Hunt
hanging onto a flying plane’s hatch in Belarus, scuba diving underneath a
powerplant- without oxygen…A particularly memorable scene finds Hunt trying to
desist three assassins high above an ongoing performance of Turandot at the
Vienna Opera House. Its an unusually long scene for an action film, but the
intricate staging, cross cutting and rich opera soundtrack make this scene and
the movie as a whole, a pure delight to watch.
Ghost Protocol saw a resurgence in the critical praise of the
MI series, and Rogue Nation rightfully surpasses it. If such a trend
continues, I wouldn’t mind seeing the 53 year old Cruise throw himself off
buildings and onto planes (or vice versa) again in a few years, and if he still can maybe even
into his 60s, though at that point, hopefully he’ll keep his shirt on.
The action sequences were great. I wasn't as enthusiastic about the villain as you were, I felt he lacked personality. The other characters were memorable. I agree the tone was closer to Ghost Protocol than MI2 and MI3.
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